How to Kill a Tarrasque

TarrasqueDuring a D&D game a few weeks ago, we were chatting and killing time before the game started. Someone mentioned the Tarrasque, the most powerful monster in the 5th edition Monster Manual, with a Challenge Rating (CR) of 30. I’m not sure why, but an idea for how two players of moderate level could kill it popped into my head.

Bear with me, as this approach has a certain eww factor for one of the players.

Sam the Sorcerer and Bob the Barbarian want to kill a tarrasque that is threatening their home town. Sam has the Teleport spell, and Bob wears a Ring of Regeneration. Bob also wears very spikey armor, kind of like what the glam-metal band Gwar wears in their music videos. The final ingredient in this monster-killing stew is Bob’s really big battle axe.

The steps required are very simple:

Sam the Sorcerer teleports Bob the Barbarian into the brain cavity of the tarrasque.

The Ring of Regeneration Bob’s wearing keeps him from dying, while his spikey armor and wielded battle axe cause lots of terminal damage to the giant monster’s brain, hopefully killing it instantly, or at least quickly.

Once the beasty falls to the ground dead, Sam gets some local woodsmen to swing their axes and cut Bob out of the monster’s skull.

Writing and Playing Dungeons & Dragons

As those who have read my books may know from my author profile, I was exposed to the fantasy genre back in 1980 when I played my first game of Dungeons & Dragons. Not to date myself too much, but I was still in grade school. The game was a big part of my life until I was 25 or so, and for various reasons I won’t mention, I gave it up. The next time I played D&D was Christmas of 2013, when I ran a short one-off game for my family as a group activity.

Dungeons & DragonsThat game had a big impact on me. Although I hadn’t intended for it to be so, it inspired me to write my third novel, and even provided some plot events that made it into the book. I didn’t play again until just a few months ago, when I picked up the 5th edition Starter Set and the three core rule books (Player’s Handbook, Dungeon Master’s Guide, and Monster Manual for those unfamiliar with D&D).

I walked into Goin’ Gaming, a game and comic store in Troutdale, Oregon, bought some miniatures and got to know the owners, Alan and Becky Schmid. (See other posts about the store and the owners and how that factored into my writing career.) They host D&D games every Thursday evening, and the group needed more players. I showed up at the next game session and was warmly welcomed.

Other walk-ins saw our enthusiasm and the group has grown to seven players, all of whom I now consider to be my friends. We play at least once a week. After our current campaign wraps up at the end of June, I’ll take over as Dungeon Master, and that gets me to the point of this post.

Once I read through the 5th edition rule books, I began to get ideas for the plot of my fourth novel. My vision is to write three trilogies in the Taesia world, of which The Taesian Chronicles is the first trilogy. The fourth novel will be book one of the second trilogy. (Forgive the seemingly strange logic for the way I’m structuring the series; there’s a method to my madness.) I brainstormed the plot and am very happy with it. But, that plot would also make an outstanding D&D campaign.

With the group’s permission, I will switch from being a player to being the DM. Our current DM, Joseph, will become a player, and the group will run through my new campaign. In a sense, we will be play-testing my plot idea. I don’t anticipate the game campaign directly translating into a novel. That was done with Against the Giants, and what was one of the best modules ever written failed horribly as a novel. However, as what happened with my one-off adventure played by my family over a Christmas holiday, I think there is some wonderful inspiration to be generated by the game that can feed into the novel.

It is my intention to run the D&D campaign first, at least for several weeks, before I begin work on my fourth book. The creative energy required to write a campaign and the amount of time it takes to flesh it out severely limits my available bandwidth for novel-writing. I can do one or the other, but not both. I don’t usually write much during the summer months anyway, so work on the book probably won’t begin until autumn. At that point I will have a pretty good idea if my plot idea holds water, and I will hopefully also have some great source material from the game itself. Players often come up with dialog or creative solutions to challenging problems that make excellent material for books.

We’ll see how this goes. Stay tuned.